Frieze London 2024 is spotlighting Korean contemporary art with Gallery Hyundai at the center, offering a comprehensive exploration of Korea's abstract and experimental art legacy. The gallery's Booth C16 showcases key works that trace the trajectory of Korean art, bringing together a collection of influential artists who have played a pivotal role in shaping the nation's art scene. Among these prominent figures is Kim Tschang-Yeul, whose works continue to captivate with their deep philosophical undertones and innovative visual style.

Kim Tschang-Yeul, recognized globally for his water drop motifs, exemplifies a harmonious blend of East Asian tradition and Western abstraction. His piece, Recurrence SH96024, stands as a testament to his unique ability to juxtapose hyperrealistic water droplets with Chinese characters drawn from classical texts such as the Thousand Character Classic and the Daodejing. This interplay between text and imagery creates a tension that speaks to the fragility of life, time, and the universe, evoking both visual beauty and intellectual depth. Kim's profound philosophical approach resonates with a global audience, making his works a timeless reflection of universal themes.

At Frieze London, Gallery Hyundai’s booth not only honors Kim’s contributions but also celebrates a broader spectrum of artists who have been pivotal in the evolution of Korean experimental art. Artists such as Seung-taek Lee and Lee Kang-So, both of whom gained prominence in the 1960s and 70s, are well represented. Their groundbreaking pieces, such as Seung-taek Lee's "non-sculpture" works Tied Stone and Untitled, challenge conventional forms, emphasizing the fluidity of artistic expression. Lee Kang-So’s serene landscape-inspired paintings, including Serenity-22020, further explore the boundaries of abstraction, reflecting his deep connection with nature and minimalist aesthetics.

The exhibition also highlights the work of Lee Kun-Yong, a key figure in Korean body art. His Bodyscape series, which emphasizes the interaction between body, space, and paint, offers a meditative exploration of human presence and physical limitation. In Bodyscape 76-1-2022, the artist’s body interacts with the canvas in a way that reflects his philosophy, pushing the boundaries of traditional painting methods while fostering a sense of physicality within the work.

In addition to these pioneers, contemporary artists like Shin Sung Hy and Minjung Kim present a dynamic approach to merging modern materials with traditional techniques. Shin Sung Hy’s methodology of weaving canvas strips into sculptural forms, as seen in Self-Portrait and Interlace (Entrelacs), challenges the viewer’s perception of two- and three-dimensional spaces. Similarly, Minjung Kim’s works on traditional Korean hanji paper, notably Predestination and Phasing, explore themes of transience through the use of burning techniques, creating a tactile relationship between medium and concept.

Meanwhile, Yun-Hee Toh's emotive paintings act as metaphors for inner landscapes. Her unique approach materializes her personal experiences and perceptions onto the canvas, forming an abstract yet deeply intimate exploration of reality. In contrast, Yoo Geun-Taek employs a labor-intensive layering process with hanji paper, as seen in his Fountain and Some Library series, to create textured surfaces that suggest hidden dimensions beneath visible forms.

Chung Zuyoung’s Mountain Bukhan series, an investigation into Korean landscapes, completes the exhibition’s rich narrative. By focusing on this prominent Seoul landmark, Chung captures the changing forms and moods of nature, intertwining human perception with the landscape itself. Her works evoke a sense of timelessness, linking the historical significance of traditional Korean landscape painting with contemporary interpretations.

Overall, Gallery Hyundai’s presentation at Frieze London 2024 provides a compelling look into the ever-evolving world of Korean contemporary art. The exhibition not only honors the pioneers who set the stage for experimental art but also embraces the innovative contributions of modern artists who continue to push boundaries. As the global art scene becomes increasingly interconnected, this focused representation of Korean art underscores the cultural significance and global relevance of these visionary artists.

Sayart / Maria Kim, sayart2022@gmail.com