Paid Seating for 19th Busan Fireworks Festival Now Available
Jason Yim
yimjongho1969@gmail.com | 2024-09-12 01:50:52
Tickets for paid seating at the 19th Busan Fireworks Festival, set to illuminate the night sky on November 9, have become available for purchase as of 2 p.m. Monday, according to Busan Metropolitan City and the Busan Culture and Tourism Festival Organizing Committee.
The festival offers two types of paid seating: R seats, which include both a table and chairs, and S seats, which provide only chairs. These reserved areas are positioned on the beach in front of the Aqua Palace Hotel and Homers Hotel in Gwangalli. Ticket prices are set at 100,000 won (approximately $75) for R seats and 70,000 won for S seats.
Tickets can be acquired through the official ticket distributor, YES24, as well as the Busan Bank mobile banking app. Proceeds from the ticket sales will be reinvested into enhancing the festival’s fireworks display, improving spectator facilities, and ensuring overall event safety and quality.
The early bird tickets, which were released on August 21, sold out within about 20 minutes, highlighting significant public interest. Last year, the festival saw all 8,200 paid seats sell out, indicating a strong demand.
Initiated in 2005 to commemorate the Asia-Pacific Economic Cooperation summit, the Busan Fireworks Festival has evolved into a major annual event in Busan, attracting approximately 1 million visitors each year. This year’s festival promises an upgraded fireworks show featuring the iconic Gwangan Bridge, ensuring a breathtaking display.
The event will be held at Gwangalli Beach and Dongbaek Island, starting with pre-events such as the Fireworks Street, Fireworks Talk Show, and the opening ceremony, leading up to the main attractions including the International Invitational Fireworks Show and the Busan Multi-Fireworks Show.
Sayart / Jason Yim, yimjongho1969@gmail.com
WEEKLY HOT
- 1Stray Kids’ Global Momentum Continues With Fashion Week Appearances and Fan Event Teasers
- 2AI Art’s Legitimacy Crisis: Who Owns Creativity in the Age of Algorithms?
- 3BTS Returns With ARIRANG, Signaling a New Phase of Global Expansion
- 4Big Bang to Launch 20th Anniversary World Tour; YG Unveils Major Comeback Plans
- 5Gwanghwamun Nameboard Debate Rekindles Questions of Identity in South Korea
- 6South Korea’s Art World at a Crossroads: Celebrity Influence, Civic Engagement and Institutional Power