The National Museum of Korea announced on the 24th that it will unveil 26 new works, including rare paintings and calligraphy, as part of its winter rotation in the permanent exhibition halls. This rotation features significant acquisitions and restored masterpieces, offering a fresh perspective on Korea’s rich cultural heritage.

Among the highlights is Self-Portrait by Kang Se Hwang (1713–1791), acquired by the museum last year, and Hunters on Horseback, a work on loan from the Cleveland Museum of Art that recently underwent meticulous restoration. Both will be on special display, adding depth to the exhibition.

In Painting Room 3, visitors can explore a collection themed around Sewha, festive paintings created during the Joseon dynasty to decorate palace windows and doors at the turn of the year. These works, filled with auspicious symbols such as tigers, immortals, and hawks, reflect hopes for prosperity and protection. A standout piece is Hawk Before the Sunrise by late Joseon painter Jeong Hong Rae (1720–?), which depicts a hawk perched by a vast sea as the sun rises. The work is lauded for its originality in portraying hawks during the period.

Painting Room 4 focuses on the art of Kang Se Hwang, including his renowned Self-Portrait, Orchids and Bamboo, and Pigeumjeong Pavilion. The self-portrait, designated as a national treasure, shows Kang at 70 years old, wearing an official hat and simple attire. The accompanying inscription, “My heart is in the mountains, though my body remains in the court,” poignantly conveys the tension between his idealistic aspirations and his official duties.

Additionally, the gallery features landscape paintings of Hamgyeong Province, such as Ten Scenic Views of Hamgyeong Province and Chilbosan Mountain, created by Han Shi Gak (1621–1691) in 1664 and a 19th-century iteration of the same theme.

Painting Room 5 showcases works centered on winter landscapes and hunting scenes. Notable pieces include Riding a Donkey Through Snow by Kim Myeong Guk (1600–1662) and A House Surrounded by Plum Blossoms by Kim Su Cheol (?–1862). These works highlight the distinct aesthetic of winter as interpreted by Joseon-era artists.

The exhibitions in Painting Rooms 4 and 5 will run until March 23, while Painting Room 3’s Sewha-themed display continues through April 6. Visitors can experience a vivid journey through Korea’s artistic legacy during this winter exhibition.

Sayart / Jason Yim, yimjongho1969@gmail.com