Filmmakers Criticize Screen Monopoly Amidst Success of Crime Action Franchise

Courtesy of ABO Entertainment

Ticket sales for the latest installment of the crime action franchise, "The Roundup: Punishment," are nearing the 10 million mark, with the film holding over 80 percent of screens in Korea.

The movie, the fourth installment featuring hot-blooded detective Ma Seok-do portrayed by Ma Dong-seok, follows his mission to apprehend the head of an illegal casino cartel. Since its opening on April 24, the film has attracted 8.5 million admissions as of Monday, establishing dominance in cinemas with no clear competitors.
 

▲ “The Roundup: Punishment” / Courtesy of ABO EntertainmentDespite its success, the film has faced criticism from local filmmakers, who argue that its screen monopoly is detrimental to the Korean cinema ecosystem. During a panel discussion at the 25th Jeonju International Film Festival, industry figures expressed concerns about the monopolization of screens by "The Roundup: Punishment," with some stating that it occupies over 80 percent of screening showtimes during prime hours.

Calls for government intervention have intensified since 2019, with discussions revolving around implementing a screen quota system for all films. The current screen quota law, dating back to 1966, mandates cinemas to allocate one-fifth of their screening days per year to Korean movies. However, specific measures to protect Korean films from domestic blockbusters have not been introduced by authorities.

Some within the film industry argue for the necessity of a screen quota system to ensure diversity in cinema offerings, particularly as independent filmmakers and small-budget creators face challenges amidst the dominance of blockbusters. ABO Entertainment, the distributor of "The Roundup: Punishment," responded to criticisms by stating that screen allotment is based on ticket reservation rates and reflects moviegoer preferences.

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Kelly.K, pittou8181@gmail.com