Contemporary artist SpY has unveiled "Cycles," a captivating kinetic sculpture that transforms viewers' perceptions through the hypnotic movement of nine steel rings rotating at different speeds. The installation presents a dynamic visual experience where circular forms continuously shift and morph before the audience's eyes.

The sculpture consists of nine steel rings of varying diameters, each carefully positioned and balanced on top of one another in a seemingly precarious yet precisely calculated arrangement. This delicate equilibrium creates an impression of stability that is both engineered and fragile, adding to the work's visual tension and appeal.

Each ring rotates on its own axis at a unique speed, driven by a sophisticated mechanism located at the base of the installation. This system enables rotation in two directions, creating a perpetual choreography that produces an infinite variety of patterns and compositions. As the rings turn, they generate optical illusions that challenge viewers' spatial perception – what appears as a perfect circle from one angle can transform into an ellipse from another, depending on the viewing position and the speed of rotation.

The constant motion creates a mesmerizing effect that confuses traditional spatial readings and blurs conventional notions of rotation and depth. The overlapping movements of the rings produce visual collisions where shapes seem to merge, separate, and transform in real-time, creating figures that appear stable one moment and ambiguous the next.

SpY's innovative approach treats movement and time as sculptural materials in their own right. Rather than using static forms, the artist employs these dynamic elements to alter not only the perceived shape of the sculpture but also the viewer's understanding and interpretation of the work. This technique produces what the artist describes as "perceptual dislocation," where the loss of stable spatial references prevents audiences from forming a fixed mental image of the sculpture.

The resulting visual disorientation is intentional, as it forces viewers to engage more actively with the artwork. The sculpture invites audiences to reconsider their relationship with time, form, and perception, turning the act of viewing into what SpY calls "an active, physical, and mental act."

"Cycles" represents a continuation of SpY's ongoing research into kinetic systems and geometries in motion. The artist has consistently explored how perception and time can function as artistic tools, creating works that actively involve audiences in the experience rather than presenting them as passive observers.

The installation challenges traditional notions of sculpture as a finished, static object. Instead, SpY proposes that sculptural form should be understood as a consequence of movement – a living, breathing entity that exists in a state of constant transformation. In this way, "Cycles" literally sculpts time itself, creating a work that exists not as a fixed form but as an ongoing process.

The project's documentation, captured by photographer Ruben P. Bescos, reveals the sculpture's ability to create dramatically different visual compositions depending on the moment of observation. Each photograph represents just one instant in the sculpture's infinite cycle of transformations, highlighting how the work exists differently for each viewer at each moment of encounter.

This kinetic sculpture demonstrates SpY's mastery of combining engineering precision with artistic vision, creating a work that is both technically sophisticated and emotionally engaging. "Cycles" stands as a testament to the power of movement and time as creative mediums, offering viewers an experience that is simultaneously meditative and dynamic, ordered and chaotic, stable and ever-changing.