Brazilian artist Calixto Neto has developed a compelling theatrical response to the historic visual documentation of 19th-century Brazil through the works of French painter Jean-Baptiste Debret. His latest production examines how contemporary artists can respond to and reinterpret historical imagery that shaped perceptions of Brazilian society.

The work centers around Debret's illustrated Brazil, a comprehensive visual chronicle created by the French artist who lived in Brazil from 1816 to 1831. Debret's paintings and drawings captured scenes of daily life, social hierarchies, and cultural practices during Brazil's imperial period, creating one of the most significant visual records of the country's colonial and post-colonial transition.

Neto's theatrical interpretation goes beyond simple historical recreation, instead focusing on the complex relationship between image-making and cultural representation. "On stage, it's not just a Brazilian story that looks back at you," Neto explained, emphasizing how historical visual narratives continue to influence contemporary understanding of national identity and social structures.

The production challenges audiences to consider how 19th-century European perspectives on Brazilian society continue to resonate today. By bringing Debret's static images into the dynamic medium of theater, Neto creates a dialogue between past and present, questioning how visual documentation shapes collective memory and cultural identity.

This innovative approach to historical material reflects a broader trend among contemporary Brazilian artists who are reexamining colonial-era representations and their lasting impact on cultural consciousness. The work promises to offer audiences a fresh perspective on how visual art can be transformed and reinterpreted through performance.