German artist Julius von Bismarck is presenting a striking exhibition at the Kunst Haus Wien that confronts viewers with the harsh realities of environmental disasters. The show, titled "Normal Catastrophe," features powerful works that explore lightning, fire, and ocean waves through the artist's unique lens. Rather than romanticizing nature's forces, Bismarck holds up a mirror to both nature and humanity, forcing viewers to confront how environmental catastrophes have become part of our everyday reality.

The exhibition showcases several major bodies of work that demonstrate Bismarck's fearless approach to capturing natural phenomena. In his series "Talking to Thunder," the artist traveled to South America to chase lightning bolts, constantly searching for the primal force that humans have both feared and revered for thousands of years. Using specially constructed equipment, he captured the crackling energy of lightning strikes. The resulting images appear otherworldly – archaic, dangerous, yet touchingly beautiful.

Equally compelling is his "Fire with Fire" series, where Bismarck engages in dialogue with flames, including footage from Los Angeles where massive wildfires consumed everything in their path. The fire becomes a hypnotic dance that is simultaneously destructive and creative. His work "Punishment" offers perhaps the most visceral experience – the artist whips ocean waves with a leather whip until he collapses from exhaustion, creating a powerful metaphor for humanity's futile attempts to control nature.

The exhibition also features a meditative video work showing a massive wave rolling toward viewers in slow motion. The image fills the room with an oppressive presence, serving as a jarring symbol of human powerlessness in the face of increasingly violent climate change. These aren't moments where Bismarck simply shows nature – instead, he forces confrontation with environmental catastrophe not as an exceptional state, but as the new normal that we've already grown accustomed to.

Through these compositions, visitors quickly sense that this isn't about the romanticized aesthetics of fire, water, and storms. Bismarck stages catastrophe itself, presenting climate change not as a distant threat but as a present reality that demands immediate attention and response.