The colossal wooden sculpture known as Muni Max will be relocated to the canton of Uri following the conclusion of the Federal Wrestling and Alpine Festival (ESAF) in Mollis, Glarus. Standing 20 meters high and stretching 30 meters long, the 182-ton wooden bull has become the unofficial landmark of this year's ESAF and attracted interest from six potential buyers across Switzerland.

According to festival organizers, Uri was selected from among the six interested cantons due to their convincing and broadly supported usage concept, high commitment level, rapid implementation capability, and clear goal pursuit. The competing proposals came from the cantons of Glarus, St. Gallen, Appenzell Ausserrhoden, Graubünden, Uri, and Schwyz, all of whom submitted detailed applications by the August 27 deadline.

Each interested party was required to submit comprehensive documentation including a binding purchase offer, a coherent usage concept, proof of financing, and detailed information about the proposed location, timeline, and operating company. Four of the six proposals impressed organizers with their detailed concepts and broad regional support, but Uri ultimately emerged as the winning candidate.

"The HolzvisionMAX project team stands united behind this decision," organizers stated. However, specific details about Uri's plans for the massive sculpture have not yet been disclosed. The buyers from Uri are expected to announce their concrete plans on Saturday, revealing how they intend to utilize the impressive wooden structure.

The monumental sculpture represents far more than just a festival decoration. Created from 1,200 cubic meters of Swiss wood by over 500 apprentices from 220 timber construction companies, Muni Max symbolizes the innovation, collaboration, and strength of Switzerland's forestry and timber industry. During the ESAF, the sculpture serves multiple functions, housing the festival's gift temple beneath its imposing frame.

The plan for Muni Max to find a permanent second home was always part of the organizers' vision from the beginning. The sculpture is intended to remain a lasting symbol of Swiss craftsmanship and the country's rich tradition in woodworking. Its impressive scale becomes particularly apparent when viewed alongside construction machinery, emphasizing the remarkable achievement of the young craftspeople who brought this wooden giant to life.

The successful relocation of Muni Max will ensure that this remarkable example of Swiss timber craftsmanship continues to inspire visitors and serve as a testament to the skills of the nation's next generation of woodworkers long after the wrestling matches have ended.