The European House of Photography (MEP) in Paris has parted ways with its director Simon Baker, marking the end of a significant chapter for the prestigious photography institution. The British curator, who took the helm of MEP in 2018, leaves behind an impressive legacy of exhibitions and artistic discoveries during his tenure at one of Europe's leading photography venues.

News of Baker's departure had been circulating during the recent Rencontres d'Arles photography festival, where he maintained his characteristic British composure. Despite the underlying tensions, Baker continued his professional commitments, co-curating with Elsa Janssen the highly acclaimed exhibition "Yves Saint Laurent and Photography," which explores the fascinating relationship between the legendary designer, his creations, and renowned photographers. The exhibition runs until October 5 at the Mécanique Générale in Parc des Ateliers and has been praised for its innovative approach to connecting fashion and photography.

Throughout the festival, Baker remained his usual spirited and passionate self, demonstrating his deep love for photography and Asian art. His dedication to nurturing emerging talent was evident when he served on the jury for the 8th Dior Prize for Photography and Visual Arts for Young Talent. On July 10 at the Luma Foundation, the jury unanimously awarded the prize to Dutch photographer Joel Quayson, reflecting Baker's commitment to supporting the next generation of visual artists.

Baker brought impressive credentials to his role at MEP, holding a doctorate in art history from University College London. His career trajectory led him to the Tate in London in 2009, where he joined as a curator in the photography and international art department. His expertise and vision quickly gained recognition, and in 2015, he was appointed as the senior curator of photography at Tate Modern, one of the world's most influential contemporary art institutions.

During his time at MEP, Baker transformed the institution's exhibition program, bringing his international experience and deep understanding of contemporary photography to Parisian audiences. His tenure was marked by innovative curatorial approaches and a commitment to showcasing both established and emerging photographers from around the world. The programming under his direction reflected his broad cultural interests and his ability to create meaningful dialogues between different artistic traditions and contemporary practices.

As MEP moves forward, industry observers suggest that the institution may be looking for a successor with a more managerial profile, potentially signaling a shift in the organization's strategic direction. Baker's departure represents not just a change in leadership but possibly a new chapter in how the institution positions itself within the competitive landscape of European cultural institutions. The search for his replacement will likely focus on finding someone who can build upon the strong foundation he established while bringing fresh perspectives to the role.