The Berlinische Galerie is presenting a compelling exhibition dedicated to Raoul Hausmann, the avant-garde artist who served as Berlin's "Dadasoph" a century ago. The exhibition showcases the revolutionary work of an artist who never remained confined to a single artistic style, demonstrating his continuous evolution and provocative approach to art.

The comprehensive show features approximately 200 works, primarily drawn from the gallery's own collection. Additional pieces have been loaned from the Musée de la Haute-Vienne Château de Rochechouart, which houses Hausmann's later works, as well as contributions from New York's Museum of Modern Art (MoMA). Among the notable pieces on display is "Elasticum" from the Dada-Science cycle, created in 1920.

Hausmann's artistic legacy is defined by three key elements: vision, provocation, and Dada. As a central figure in the Dada movement, he consistently challenged conventional artistic boundaries and bourgeois sensibilities. His work embodied the spirit of artistic rebellion that characterized Berlin's cultural scene in the 1920s, when the city was a hotbed of avant-garde experimentation.

The exhibition demonstrates Hausmann's refusal to be categorized within any single artistic movement or style. Throughout his career, he continuously reinvented his approach, moving between different mediums and concepts while maintaining his commitment to challenging established norms. This constant evolution made him a unique figure in the landscape of 20th-century avant-garde art.

The Berlinische Galerie's presentation offers visitors a rare opportunity to explore the full range of Hausmann's creative output, from his early Dada provocations to his later experimental works. The collaboration with international institutions ensures that the exhibition provides a comprehensive view of an artist whose influence extended far beyond Berlin's borders during the revolutionary period of early 20th-century art.