Bull O'Sullivan Architecture, a New Zealand-based architectural studio, has completed a compact aluminum-clad chapel perched on a hillside overlooking Lyttelton Harbour near Christchurch. The Chapel of St Thérèse of Lisieux, named after a French Carmelite nun, occupies a 17-square-meter triangular structure designed as a symbolic nod to the Holy Trinity.
The architectural firm described the chapel as a "gift to the people of Christchurch," intended to serve as a place of "worship, reflection and architectural engagement." Project architect Michael O'Sullivan explained the motivation behind the intimate religious space, noting that many people today prefer smaller spiritual environments over traditional church settings. "In today's society, a lot of people don't want to go to church, but they appreciate a small spiritual place they can venture by themselves," O'Sullivan told Dezeen magazine.
The chapel's distinctive triangular design carries deep religious symbolism, with O'Sullivan explaining that "the triangular shape is a play on the Trinity – the Father, the Son and the Holy Spirit." The structure's truncated triangular volume is elevated on wooden stilts, which are concealed at the base by aluminum sheets that envelope the entire exterior. A deep-set aluminum door, featuring a cross-shaped metal handle, continues the triangular motif and provides the main entrance to the sacred space.
Visitors access the chapel via a series of steps that traverse the sloped hillside site. The entrance is sheltered by a covered entryway complete with grilled flooring and a small wooden bench, creating a transitional space between the exterior landscape and the intimate interior. The elevated position offers commanding views of the nearby harbor while maintaining the chapel's sense of separation from the surrounding environment.
Inside the chapel, Bull O'Sullivan Architecture chose a warmer material palette that contrasts with the industrial aluminum exterior. Locally sourced timber lines both the walls and floor, creating a more inviting and contemplative atmosphere. The centerpiece of the minimalist interior is a carved sculpture of Jesus on the cross, crafted from reclaimed wood by local artist Johnny Hauraki. This artwork serves as the focal point for worship and reflection within the compact space.
Natural light plays a crucial role in the chapel's interior design. Behind the wooden sculpture, a strategically placed window frames views of the harbor while drawing daylight into the space. Translucent roof panels create a distinctive red-toned glow that bathes the interior in warm, ethereal light throughout the day. Smaller design details include a built-in shelf for personal items and a wooden kneeler chair designed by local woodworker Glenn Whatmough.
Bull O'Sullivan Architecture operates as a New Zealand studio founded by Andrew Bull and Michael O'Sullivan, maintaining offices in both Auckland and Christchurch. The firm's latest project joins a growing collection of innovative religious architecture that challenges traditional church design. The chapel represents a contemporary approach to spiritual spaces, emphasizing accessibility, intimacy, and connection with the natural environment while maintaining the essential elements needed for worship and contemplation.
