The relationship between death and artistic expression has captivated creators for centuries, long before modern entertainment mediums like video games and Hollywood films popularized violence and mortality themes. Art critic Waldemar Januszczak explores this enduring fascination, examining how our collective obsession with death and murder has deep historical roots that extend far beyond contemporary media.

This exploration of death in art takes on particular significance when viewed through collections like those housed at Britain's Sainsbury Centre, which features some of the most unusual and thought-provoking pieces related to mortality and human fascination with death. The collection serves as a testament to how artists throughout history have grappled with questions of mortality, violence, and the human condition.

The critic poses what he calls "the killer question" - examining why death continues to serve as such a powerful source of artistic inspiration across cultures and time periods. This phenomenon suggests that our current preoccupation with death in popular culture is not a modern invention but rather a continuation of a much older human tendency to explore mortality through creative expression.

The Sainsbury Centre's collection, described as among Britain's most eccentric, provides concrete examples of how artists have long been drawn to themes of death, murder, and violence. These works demonstrate that the human fascination with mortality transcends contemporary concerns about violent media, revealing instead a fundamental aspect of how we process and understand our own existence through art.