This fall, Korean art is making a significant impact in the UK, with multiple exhibitions and events showcasing the creativity and innovation of Korean artists. Coinciding with Frieze London, a global art fair taking place from Wednesday to Sunday, these exhibitions present a diverse range of contemporary Korean works that are set to captivate the art world.

The Korean Cultural Center UK is at the forefront of these efforts, hosting a series of events on Thursday and Friday that bring together artists, curators, and enthusiasts for networking and exhibition viewing. The featured exhibition, "Digital Heritage, Now! AI With You," uses cutting-edge digital technology to reinterpret traditional Korean cultural heritage, including a digital version of the National Treasure No. 83, the Pensive Bodhisattva statue. Displayed on an 83-inch LG TV, this AI-powered media art aims to merge tradition with technology freshly and engagingly.

Sun Seung-hye, head of the Korean Cultural Center UK, emphasized the significance of this moment, stating, "This year is particularly special for us as a variety of exhibitions and projects that show Korean art and artists will be shown in London, the mecca of soft power." The center, operated by the Korean Ministry of Culture, Sports and Tourism, aims to highlight the cultural significance of Korean heritage through these dynamic digital presentations.

In addition to the Korean Cultural Center's efforts, several other prominent institutions in London are spotlighting Korean artists. At Tate Modern, fast-rising contemporary artist Lee Mi-re will present her solo exhibition, "Open Wound," running from Wednesday until March 16, 2025. Lee’s work, supported by a partnership with Hyundai Motor, is set to transform the iconic Turbine Hall with her subversive, multi-sensory sculptures.

Karin Hindsbo, director of Tate Modern, praised Lee's contributions, saying, "Mire Lee is one of today’s most intriguing and original contemporary artists, and we are delighted she will be creating her first work in the UK here at Tate Modern." Hindsbo highlighted Lee’s ability to produce powerful sculptures that challenge conventional norms and create thought-provoking experiences for viewers.

Another major exhibition, "Leap Year," featuring the work of renowned Korean artist Yang Hye-gue, will open at the Hayward Gallery and run through January 5, 2025. This is Yang's first survey exhibition in the UK, offering a comprehensive look at her career and artistic evolution.

Meanwhile, London's Institute of Contemporary Arts is featuring Jeong Geum-hyung’s choreography and performance art in her solo exhibition "Under Construction," which began on September 25 and will continue through December 15. Jeong's work explores themes of movement, the body, and machine interactions, pushing the boundaries of conventional performance art.

Adding a historical dimension to the Korean presence in the UK, the British Museum is hosting a collection from the Gyeongju National Museum as part of its "Silk Roads" exhibition. The exhibition, featuring 29 partners, explores the interconnectedness of ancient cultures across Asia, Africa, and Europe.

Finally, Korean architect Cho Min-suk’s "Archipelagic Void," a star-shaped pavilion inspired by the traditional Korean courtyard concept known as “madang,” is on display at the Serpentine Pavilion until October 27. This installation is a blend of architecture and cultural symbolism, reflecting Cho's vision of creating interactive public spaces that resonate with Korean cultural themes.

These exhibitions collectively highlight the diversity and depth of Korean art, ranging from traditional inspirations to contemporary innovations. The events in London this fall not only showcase the rich cultural heritage of Korea but also underscore its relevance and resonance in the global art community.

Sayart / Jason Yim, yimjongho1969@gmail.com