Courtesy of the artist and Kukje Gallery
Korean contemporary artist Haegue Yang will present her large-scale solo exhibition, Haegue Yang: Lost Lands and Sunken Fields, at The Nasher Sculpture Center in Dallas, Texas, from February 1 to April 27, 2025. This exhibition, curated by Leigh Arnold, marks the first solo presentation by a Korean artist at the Nasher, which houses one of the world’s premier collections of modern and contemporary sculpture.
The exhibition explores Yang’s innovative approach to sculpture, challenging modernist conventions by integrating everyday objects and folk traditions into her work. Over 50 pieces, including new small and airborne sculptures, will be displayed throughout the museum, offering a dense and immersive experience.
Yang has spent over 30 years redefining traditional norms in modern sculpture, blending cultural hybridity with intricate craftsmanship. Her works often incorporate diverse materials such as hanji (traditional Korean paper), marbled paper, honeycomb paper balls, pearls, bells, and stainless steel components. Notable among her pieces is Airborne Paper Creatures – Swimmers (2025), composed of birch plywood, hanji, metal ornaments, and bells, which exemplifies her skill in merging organic and industrial elements.
Courtesy of the artist
“Yang’s sculptures float, jingle, and even dance, continually surprising viewers while offering object-centric perspectives on meaning-making across diverse experiences,” said Jed Morse, interim director and chief curator of the Nasher Sculpture Center. “Her work bridges past and present, providing profound insights into our multifaceted world.”
In conjunction with the exhibition, a comprehensive catalog featuring detailed images of Yang’s works will be published. This volume will chronicle Yang’s artistic evolution from her early career to the present, serving as a critical resource for understanding her sculptural practice.
The exhibition is supported by prominent Dallas-based collectors Howard and Cindy Rachofsky and the Dallas Tourism Public Improvement District (DTPID), reflecting the city’s commitment to celebrating global art.
Yang’s exhibition promises to captivate audiences, offering a rich exploration of her groundbreaking contributions to contemporary sculpture.
Courtesy of the artist
Sayart / Nao Yim, yimnao@naver.com
