Renowned artist Joan Fontcuberta will present a thought-provoking textual and visual essay that examines photography's fundamental role as a documentary medium through the symbolic power of the pointing gesture. The exhibition, titled 'L'Œil et l'Index' (The Eye and the Index), uses the simple act of pointing with an index finger as the foundation for a humorous yet profound reflection on how photography relates to reality itself. Fontcuberta argues that the pointing gesture perfectly captures photography's essential function as a document - serving as a visual command that instructs viewers to 'look at this.' This concept becomes the launching point for his deeper exploration of photography's complex relationship with truth and representation. The artist directly engages with and challenges the influential theory proposed by renowned French literary theorist Roland Barthes, who famously argued that every photograph fundamentally communicates the message 'this was' - suggesting that photographs serve as proof that something actually existed and occurred. While Fontcuberta draws inspiration from Barthes' seminal work, he simultaneously refutes this proposition, questioning whether photographs truly serve as reliable witnesses to reality. Central to Fontcuberta's investigation are striking images reproduced from the Mexican crime newspaper 'Alerta!', which was active during the 1960s and 1980s. These dramatic photographs, which prominently feature pointing fingers, raise fundamental questions about photography's true nature. Fontcuberta uses these images to explore whether the camera actually serves as an objective witness to reality, or whether it instead captures something more akin to a performance - a staged representation rather than authentic documentation. These existential questions about photography's relationship to truth have taken on new urgency and complexity with the recent emergence of generative artificial intelligence technology. The rise of AI-generated images has fundamentally challenged traditional assumptions about photographic authenticity and has amplified the very concerns that Fontcuberta has been exploring throughout his career. This technological revolution directly extends the artist's ongoing reflections on post-photography, which he first articulated in his influential 'Manifesto for a Post-Photography,' published by Actes Sud in 2022. The exhibition will be held at two prestigious venues in Arles: the Librairie du Méjan and the Galerie Jean-Paul Capitani. The show will run from July 7 through October 5, 2025, providing visitors with an extended opportunity to engage with Fontcuberta's challenging ideas about photography's evolving role in contemporary culture. Coinciding with the exhibition, Actes Sud will publish a companion book on June 25, 2025, allowing readers to delve deeper into Fontcuberta's theoretical framework and visual investigations. This presentation represents a significant contribution to ongoing debates about photography's documentary function in an era increasingly dominated by digital manipulation and artificial intelligence, offering both artistic insight and critical analysis of one of the most fundamental questions facing contemporary visual culture.