A heated debate has emerged in the K-pop community regarding the appropriateness of increasingly revealing performance outfits, with IVE member Jang Won-young at the center of the controversy. The discussion has reignited long-standing concerns about the sexualization of female performers in the Korean entertainment industry and the boundaries of stage fashion. Jang Won-young, who serves as one of the main visuals and leaders of the popular girl group IVE, has recently drawn attention for her stage costumes during the group's promotional activities. Critics argue that some outfits worn by the 20-year-old performer cross the line of appropriateness, particularly considering the diverse age range of K-pop audiences, which includes many young fans. The controversy highlights the ongoing tension between artistic expression, marketing strategies, and cultural sensitivities in the global K-pop industry. Supporters of Won-young defend her right to wear what she chooses for performances, emphasizing that stage outfits are part of the artistic concept and that adult performers should have autonomy over their appearance choices. They argue that focusing excessively on female idols' clothing perpetuates unnecessary scrutiny and double standards. However, critics raise concerns about the potential impact on younger audiences and question whether entertainment companies are pushing boundaries too far in pursuit of attention and commercial success. The debate extends beyond individual performers to broader questions about industry practices and the responsibility of entertainment companies in managing their artists' public image. This latest controversy reflects ongoing discussions within Korean society about changing social norms, generational differences in values, and the global influence of K-pop culture. As the Korean Wave continues to spread worldwide, the industry faces increasing pressure to balance creative freedom with cultural sensitivity and social responsibility.