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Seoul Botanic Park Reinterprets Frida Kahlo’s World Through Flora: By Maria Kim Jul 15, 2026

MMCA Gwacheon Marks 40 Years With Imaginations in Light: By Maria Kim Jul 15, 2026

Yu Yong Ye Records the Sea as a Second Skin: By Maria Kim Jul 13, 2026

Seoul’s New Pompidou Tests the City’s Art Ambitions: By Kelly.K Jun 17, 2026

For Do Ho Suh, Home Is Never Left Behind: By Maria Kim Jun 17, 2026

Seoul’s Spring Awakening: Step Into the City’s Galleries While the Moment Lasts: By Sharon Jung Mar 28, 2026

Damien Hirst’s First Major Asian Retrospective Opens in Seoul, Raising Questions Beyond Spectacle: By Maria Kim Mar 24, 2026

South Korea’s Art World at a Crossroads: Celebrity Influence, Civic Engagement and Institutional Power: By Maria Kim Mar 3, 2026

AI Art’s Legitimacy Crisis: Who Owns Creativity in the Age of Algorithms?: By Jason Yim Mar 3, 2026

Nam June Paik’s “Robot K-456” Has Returned to the Stage, Decades After Its Last Steps: By Sharon Jung Feb 3, 2026

Eva Zucker Unveils Four New Works from “Menschsein in Schichten,” Announces 2026 Open-Studio Participation: By Jason Yim Jan 15, 2026

Centre Pompidou Sets June Opening for Seoul Outpost, Bringing Masterworks to Korea: By Maria Kim Jan 14, 2026

Daegu Exhibition Closure Triggers Censorship Debate in Art Community: By Kelly.K Jan 5, 2026

What to Expect: The Global Art Market in 2026: By Maria Kim Jan 5, 2026

Boom or Mirage? National Museum of Korea Debates Paid Admission Amid K-Culture Surge: By Maria Kim Dec 23, 2025

Diagnosing the Global Art Market in 2025: Between Correction and Reconfiguration: By Jason Yim Dec 23, 2025

Klimt’s Enigmatic ‘Portrait of a Lady’ Arrives in Seoul for the First Time in History: By Jason Yim Dec 7, 2025

Johyun Gallery to Make Its Art Basel Miami Beach Debut in December 2025: By Maria Kim Nov 30, 2025

‘All that Photography’ Reveals How Images Shaped Korea’s Contemporary Art: By Joy Nov 25, 2025

Why Alphonse Mucha, Now?: By Jason Yim Nov 23, 2025