Art
- Seoul Botanic Park Reinterprets Frida Kahlo’s World Through Flora
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By Maria Kim
Jul 15, 2026
- MMCA Gwacheon Marks 40 Years With Imaginations in Light
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By Maria Kim
Jul 15, 2026
- Yu Yong Ye Records the Sea as a Second Skin
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By Maria Kim
Jul 13, 2026
- Seoul’s New Pompidou Tests the City’s Art Ambitions
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By Kelly.K
Jun 17, 2026
- For Do Ho Suh, Home Is Never Left Behind
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By Maria Kim
Jun 17, 2026
- Seoul’s Spring Awakening: Step Into the City’s Galleries While the Moment Lasts
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By Sharon Jung
Mar 28, 2026
- Damien Hirst’s First Major Asian Retrospective Opens in Seoul, Raising Questions Beyond Spectacle
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By Maria Kim
Mar 24, 2026
- South Korea’s Art World at a Crossroads: Celebrity Influence, Civic Engagement and Institutional Power
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By Maria Kim
Mar 3, 2026
- AI Art’s Legitimacy Crisis: Who Owns Creativity in the Age of Algorithms?
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By Jason Yim
Mar 3, 2026
- Nam June Paik’s “Robot K-456” Has Returned to the Stage, Decades After Its Last Steps
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By Sharon Jung
Feb 3, 2026
- Eva Zucker Unveils Four New Works from “Menschsein in Schichten,” Announces 2026 Open-Studio Participation
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By Jason Yim
Jan 15, 2026
- Centre Pompidou Sets June Opening for Seoul Outpost, Bringing Masterworks to Korea
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By Maria Kim
Jan 14, 2026
- Daegu Exhibition Closure Triggers Censorship Debate in Art Community
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By Kelly.K
Jan 5, 2026
- What to Expect: The Global Art Market in 2026
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By Maria Kim
Jan 5, 2026
- Boom or Mirage? National Museum of Korea Debates Paid Admission Amid K-Culture Surge
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By Maria Kim
Dec 23, 2025
- Diagnosing the Global Art Market in 2025: Between Correction and Reconfiguration
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By Jason Yim
Dec 23, 2025
- Klimt’s Enigmatic ‘Portrait of a Lady’ Arrives in Seoul for the First Time in History
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By Jason Yim
Dec 7, 2025
- Johyun Gallery to Make Its Art Basel Miami Beach Debut in December 2025
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By Maria Kim
Nov 30, 2025
- ‘All that Photography’ Reveals How Images Shaped Korea’s Contemporary Art
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By Joy
Nov 25, 2025
- Why Alphonse Mucha, Now?
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By Jason Yim
Nov 23, 2025