For more than fifty years, residents of Amboise and tourists alike have been able to admire a remarkable statue called "Aux cracheurs, aux drôles, au génie" (To the Spitters, to the Funny Ones, to the Genius), created by renowned artist Max Ernst. The monumental sculpture stands prominently on Quai du Général-de-Gaulle along the Loire River, where it has been a cultural landmark since 1968.
This impressive fountain represents a dual tribute conceived by the artist - both to the Touraine region and to Leonardo da Vinci, the Renaissance master who spent his final years in Amboise. The creation of this work also serves as a gesture of gratitude to Michel Debré, who was both the mayor of Amboise and Prime Minister of France at the time, and who played a crucial role in helping Ernst obtain French citizenship.
Max Ernst was born in Germany in 1891 in Brühl, near Cologne. He began his artistic career as an expressionist painter in 1912, but his early career was interrupted when he was mobilized to serve in World War I starting in 1914. The war experience would profoundly influence his later artistic development and his eventual embrace of surrealism.
The fountain installation has not been without its challenges over the decades. At the base of the basin, decorative turtle sculptures have been repeatedly stolen, highlighting the ongoing maintenance issues faced by public art installations. Despite these setbacks, the monument continues to serve as a significant cultural attraction and an important example of contemporary art integrated into the historic landscape of Amboise.
The sculpture's location along the Loire River is particularly symbolic, as it connects the German-born artist's adopted French identity with the legacy of Leonardo da Vinci, who also found refuge and inspiration in the Loire Valley. Ernst's naturalization as a French citizen, facilitated by Michel Debré's intervention, allowed the artist to fully integrate into French cultural life and contribute to the country's artistic heritage.
The fountain represents more than just a decorative element in Amboise's urban landscape; it embodies the intersection of different artistic traditions and the welcoming spirit of the Touraine region toward international artists. Ernst's surrealist sensibilities, developed through his experiences in both Germany and France, found expression in this public work that continues to intrigue and inspire visitors from around the world.
The installation of the fountain in 1968 marked an important moment in Amboise's commitment to contemporary art, demonstrating how modern artistic expression can coexist harmoniously with the town's rich historical heritage. The sculpture stands as a testament to the enduring influence of both Max Ernst's innovative artistic vision and the cultural legacy of Leonardo da Vinci in this picturesque Loire Valley community.
Today, the Max Ernst fountain remains an integral part of Amboise's cultural identity, drawing art enthusiasts and curious tourists who come to experience this unique blend of surrealist artistry and historical homage. The work continues to serve its intended purpose as both a functional fountain and a meaningful artistic statement about the universal nature of creative genius, transcending national boundaries and historical periods.
