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ILLIT Return With ‘You’re Under Arrest’ on Fifth EP ‘BREAK EVEN’

By ReaA JUNG

Oct 25, 2026

A2O LITE Earn First Terrestrial Music Show Win With ‘NEON’

By ReaA JUNG

Oct 25, 2026

Yoon Seo-hee Layers Hand Stitching Over Painting in ‘DDAM’

By Maria Kim

Oct 22, 2026

Kim Dong-gi and Yukako Manabe Explore Printmaking in ‘MY TINY ROOM 2026’

By Sayart

Oct 22, 2026

NMIXX’s ‘Birthday Wish’ Reaches No. 5 on Melon Top 100

By ReaA JUNG

Oct 22, 2026

A2O SOUL to Release First Album ‘SUPERSTAR’ on Nov. 9

By ReaA JUNG

Oct 22, 2026

Yu Hwa-jung Photographs the Shared Lives of People, Animals and Nature

By Maria Kim

Oct 20, 2026

ENHYPEN’s ‘THE SIN : BLISS’ Extends Billboard 200 Run to Eight Weeks

By ReaA JUNG

Oct 20, 2026

TWS Completes ‘TO US’ Concept Series With Playful ‘Beside’ Photos

By ReaA JUNG

Oct 20, 2026

‘Shades of Ink’ Brings Stories of Nonsan to Seoul

By Maria Kim

Oct 20, 2026

Jang Hyejin Finds the Unfamiliar in Everyday Scenes

By Maria Kim

Oct 20, 2026

ILLIT’s ‘Magnetic’ Surpasses 900 Million Spotify Streams

By ReaA JUNG

Oct 20, 2026

YENA to Release Korean-Language Remake of Ai Otsuka’s ‘Sakuranbo’

By Sharon Jung

Oct 20, 2026

National Dance Festival Enters Final Week Across Seoul

By Kelly.K

Oct 18, 2026

King Kanna Examines the Boundaries of the ‘Normal’ Body

By Maria Kim

Oct 18, 2026

PS Sarubia Opens ‘Studio Project 3’ With Dobin Kim and Setbyul Li

By Sayart

Oct 18, 2026

Luke Park Revisits Natural Forms in ‘Ventilation’

By Maria Kim

Oct 18, 2026

IVE to Pre-Release New Title Track ‘Looks Can Kill’

By ReaA JUNG

Oct 18, 2026

A2O LITE Turns Lee Soo-man’s Long Absence Into a Debut Advantage

By Sharon Jung

Oct 18, 2026

Seoul Music Festival Returns to Renovated Nodeul Island

By Sharon Jung

Oct 13, 2026