Opinion

Opinion

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With Frieze Leaving COEX, Kiaf May Have an Opportunity to Build a Stronger Identity: By Jason Yim Aug 23, 2026

Korean Traditional Arts: From Symbolic Success to a Sustainable Global Market: By Jason Yim Aug 20, 2026

When the Art Fair Becomes the City: By Maria Kim Aug 9, 2026

Beyond the Label of Asian Contemporary Art: By Maria Kim Jul 28, 2026

Frieze Seoul’s Real Test Begins Now: By Maria Kim Jul 23, 2026

The AI-Native Generation Is Building Before Asking Permission: By Maria Kim Jul 21, 2026

When AI Learns to Sing in Someone Else’s Voice: By Maria Kim Jul 14, 2026

When K-Pop Tickets Become a Luxury Good: By Maria Kim Jul 13, 2026

Art Holds Us Up: By Sayart Jun 17, 2026

BTS Deserved a Better Stage. So Did ARMY.: By Jason Yim Jun 17, 2026

A World at War, A Silence in Song: Why We Need a New “We Are the World”: By Jason Yim Mar 28, 2026

When Global Icons Stay Silent: Why Artists Like BTS Matter in Times of War: By Jason Yim Mar 24, 2026

What Should Gwanghwamun Say — and in Whose Script?: By Sayart Mar 3, 2026

Robots Are No Longer Workers. They Are Becoming Mirrors.: By Jason Yim Feb 3, 2026

What K-Pop Demon Hunters’ Golden Globe Recognition Really Means: By Jason Yim Jan 14, 2026

Farewell to Ahn Sung-ki, a Master Actor and a Moral Center of Korean Cinema: By Jason Yim Jan 5, 2026

Frozen Politics, Frozen Art: Hoping for a Thaw in Korea’s Art Market Next Year: By Sayart Dec 23, 2025

Why Lee Byung-hun Deserves to Win the Golden Globe: By Kang In sig Dec 9, 2025

Why Korea’s Language Archives Deserve a Place in UNESCO’s Memory of the World: By Maria Kim Nov 25, 2025

It’s Time for the Grammys to Let K-pop Win—Fairly: By Jason Yim Nov 14, 2025

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